teaching

Blobs of Improv Applique

At some point in the last few years I made one of these blobs. I was using it as a sample for an Improv Applique class I was teaching online. I probably made another one in another class. These were only ever intended to be samples.

Intentions and reality rarely meet in my quilting play.

Now that I have the studio and no machines at home my Morning Make is always handwork, when it comes to stitching. As I uncovered these blocks during the move they came to mind as one thing to play with as the morning grew cold and dark. It turns out they are a fun spot of joy! Now I keep making them.

This was my initial plan for layout: random. Just the four colours and laid out in no particular order. As soon as I decided to turn these blocks into a quilt this was my plan. I also wasn’t expecting to make a large quilt, only 5 x 5 blocks. As the background pieces are 10'“ squares, this would make a simple little baby quilt.

But then… but then I laid out the blocks by colour. It was actually only so I could ensure I wasn’t repeating the background fabrics in each colour way. Seeing them together was easier than thinking through that. And oh! Did that change everything!

This layout is amazing. It is so much stronger in showing off the blobs, giving them colour order. I still get randomness in the various fabrics, but the structure of columns is a much stronger design. There is no going back now.

What I do need to do, however, is add more columns. I’ve currently got 7 of each colour. If I add one more colour I now get a small lap quilt (47.5” x 66.5”). If I add 2 then I get a bigger lap quilt, especially if I make 8 blocks of each colour (57” x 76”). I could add 3 colours, stick with 7 blocks, and get a classic square (66.5” x 66.5”). I’m torn, to be honest. So, I will add 1 colour and see how I feel about it.

Who knows? I may change my mind completely again.

Braided Rug Quilt Block Alternative - Colour Focused Scraps

So I think I started a new quilt. I didn’t mean to, honest! It was just an experiment that I fell in love with!

There I was, teaching a Scraptastic class with a guild out of the Whistler Valley. We got to the part where we play with strips. At this moment I always give students a choice on what technique they want to explore. The Braided Rug blocks won out that day. While demonstrating the technique I decided to explore a square block. A change from my original. One pile of pink scraps and some sewing later, an idea was born.

It’s a been a few weeks and that idea has already evolved. I thought rows of blocks first, then placed four together like this. Okay, that works. let’s try another colour and maybe do a round robin, like the original again. I really liked that shape formed by the four together though so placed another colour that way. Yup, that’s the winner! I’ve already picked my next colour - green, for hope - and will make another set of 4. I’m thinking, only thinking, of making 9 sets of 4 blocks. We’ll see how the motivation lasts. That being said, moving to the new studio uncovered A LOT more scraps than I thought I had so there is no shortage of fabric options!

Nine small piles of coloured fabric

Just playing around with potential colours. This is a more random colour scheme, maybe I will edit it down, maybe not? For now, one block at a time.

Desktop Inspired Quilt Top

Old wooden desktop art installation

From this…

To this…

Black, white, pink and red quilt top inspired by old wooden desktops

Back in 2018 I had the opportunity to go to Montreal to teach at Courtepointe Quebec, a lovely quilt show held in the suburbs of Montreal. I had to lean on my very shallow memory of high school French as my driver and many students didn’t speak English at all. We were in an old school with no air conditioning in a heat wave. Despite all that, we had a fabulous time! One day, on a break with some students, we discovered the art installation made from old desks. We were talking about being inspired by the world around us, including these desks. I remember coming home and experimenting just to see if I could make a block that referenced those desks. A little improv curve action made it happen. I made a few then folded them up and put them in the closet.

Now, as I am in the process of cleaning, sorting, and getting ready to move my sewing room, these old projects are seeing some light of day. That, and I updated my list of Quilts Under Construction after these recent finishes. I wanted to work on something “new” but not really start something new. A dive into the vaults served that purpose.

I didn’t like the blocks just plain. Right idea, ineffective design. Going back to the original inspiration I decided to try setting them so they popped off the background. Honestly, I have no idea why I chose the pinks/reds, but I think they work. I did not have enough of any one colour, so used 3 different ones. Their placement is random, but all being so close in value they read well together.

For me, this is a small quilt. It finishes a bit over 40” x 50”. So, really, just a baby quilt. But I didn’t have any more of that dominant alphabet print to make more blocks. Plus, this size keeps it as a quick finish. I have no idea when I will touch this quilt again, but for now the memories can live more strongly than my French skills!

Theodora - A Modern Tree of Life Quilt

Theodora

50” x 50”

It wasn’t her greatest desire, moving West. She had a comfortable life in a respectable home. Growing up in town, in a house her father purchased, not built, meant that Theordora had no notion of what it might really be like to move to the Wild West. But she was in love and her husband wanted to go. At least she wouldn’t have to be a farmer. That’s what she told herself, at least. Her husband was a gentleman and would be working for the government. In the city, not the farm. That notion was small comfort when she arrived in Calgary. It was still rather wild for her tastes. They found a small house, she joined the church, and soon made friends with the other women brought by their husbands. It was one of these friends that introduced her to quilting. Needlework, she knew, but quilting was a new skill and a handy one when the long winter nights settled in. She could piece her little triangles while her husband read and it almost made it worthwhile, the homesickness.

Theodora is a modern interpretation of a Tree of Life quilt I found in the Heritage Park quilt collection. I’m making up the story here, but the original quilt inspired both it and the quilt here. A few years ago I was asked to teach at Heritage Park’s Festival of Quilts. My idea was to look at quilts in their own collection and create a modern version of it for student’s to play with.

I took the original quilt, wrote a modern pattern that uses only half square triangles and squares for simple patchwork construction, then had some fun playing. This is one version I made, drawing from the original colours but scaling up the size of the block.

Theodora takes blocks I made as samples for that class 3 years ago - made into a finished quilt top earlier this year - and finishes it up. My daughter’s pentathlon coach and his wife are expecting their first baby. With a woodland themed nursery and a love of Heritage Park this seemed like the perfect gift for them.

To tone down the greens of the front I added a contrasting backing with fabrics hiding in my stash. They provide a bright contrast in colour, making this truly a double sided quilt. I love doing that, especially for baby quilts, so there are more options for use. Continuing the woodland theme I quilted it with a woodgrain free motion pattern on a rented long arm machine. While I often recommend olive green as a magical blending colour for quilting, this time it was perfectly on the nose.

Pink, orange, and green quilt tossed on a rocky path
Four corners of a green quilt binding

To make the binding I hunted through my stash for the perfect green. Normally I like a contrasting binding but that didn’t seem like the right move here. With so many greens - shades, tints, low volumes, perfect hues, limes, emeralds - in the quilt itself, any green can indeed be perfect. The perfect green ended up being the only green I had enough of in my stash. So I am calling it perfect. I did a common 2.5” inch double fold binding, hand stitched on the back.

And I can’t let you go without a bonus treat from the photo shoot. To capture this quilt I stole away to the area just outside Heritage Park. There is a little wooded area next to a wetland. It’s at a confluence of a parking lot and a couple of busy roads, next to the main reservoir for the city. It may look like I am in the middle of the forest, but I am actually in the middle of the city. And just as I was hanging up the quilt on a line strung between two trees a friendly visitor joined me. She was calm with me being in her space so I thanked her, took my pictures quickly and left in the opposite direction to avoid bothering her further.