A New Foray Into Handstitching

This past summer the doctor finally confirmed something I’ve suspected for years. I have arthritis. It isn’t shocking, it runs in my family and I am 50 now. It’s my feet that plague me, but one look at my mother’s hands and I see what my future looks like. That may be the reason I am so obsessed with all the handwork these days. Getting my kicks in while I can!

It was also the move to the studio in the fall of 2024. Without a machine or place to put one at home anymore I found myself turning to handwork for both Morning Make and to fill time in the evenings. The kids are older, the girls are driving, and so my evenings are slowly coming back to me. I read a lot (more on that soon) but I’ve also really embraced handwork.

In my 27 years as a quilter, though, I’ve not done much hand piecing. There is that epic English Paper Piecing project which is ready for basting, finally. I can’t discount that. And once, many years ago, I pieced together a pile of scraps with no rhyme, reason, or technique. Of course, we know how much I love needle turn applique. So when, as we headed into some days off over the holidays I decided to bring home a stack of fabrics and my big book of blocks. Over a cup of tea I picked a block that looked interesting, without being a bit too much, and watched some You Tube tutorials so I was doing it right.

In 10 days of Morning Make, plus some hours here an there, I made 3 blocks. They are a completely odd size because my math skills were seriously lacking. I thought I was cutting those squares in the corner so the whole thing would finish at 15.5” x 15.5”. Not quite. They are actually 16 5/8” x 16 5/8”. As long as I am consistent, right?! I’ve decided I will make 16 in total. At least 16. I’m digging in to the stash for now. And supplies are minimal. I’ve already got pins and needles and had some lovely Aurifil 80W on hand that the dog hadn’t managed to eat yet.

They are very peaceful to make. And they come together much faster than you think they will. Not as fast as by machine, of course, but still fairly quick. It’s the cutting and marking of the fabrics that feels like a slog. So I just do it one block at a time and embrace the process. One stitch at a time, right?

Lynn - Building a Quilt from Someone Else's Blocks

Lynn

75” x 75”

A gregarious creature. With a smile and a laugh that made everyone feel welcome. Loving mother, grandmother, wife, sister, and friend. She gave and gave and gave. She also started and started and started. Never met a craft she didn’t like! Loyal, kind, generous, and funny.

Lynn was a real women, a bright soul in the lives of our extended family. Sadly, she passed away this spring. She was my MIL’s best friend, my husband’s ‘aunt’, our friends’ mom. We all really miss her.

At the funeral in May I met her younger brother for the first time. Another larger than life soul! He messaged me a few weeks after the funeral asking me a huge favour. You see, he had these blocks, quilt blocks, that Lynn had sewn together. Really, it was the start of a quilt intended as a wedding present 25 years ago. She never finished it. Would I finish it for him?

This is what I was sent. That’s some late 90s glory right there! I had a handful of almost finished blocks (missing the corner quarter circle), some sewn elements, some cut pieces, and extra fabric. No pattern, no note, no original plan for the blocks. Lance - Lynn’s brother - gave me free rein. He really just wanted something that he and his wife could snuggle with, made from the blocks Lynn started.

I played with a number of layouts to begin with. I tried to imagine what Lynn might have been planning. I took stock of what I had. It was clear I was going to need more fabric, first off. There was plenty of that dusty rose background, but not enough of the arc fabric to make many more blocks. So I added some colour - more greens, teal, and mustard - to modernize and round out the printed pieces of the arcs. This also enabled me to make more arcs. I was then able to use the cut background pieces and cut even more to play with. And rather than try to match the curve cut in the corners, I used a triangle piece to change up the block a little.

It probably isn’t a thing like Lynn intended, but I do know she would appreciate it. She was always very supportive of me and my quilting. And she did have an appreciation for modern.

One thing Lance did ask for was a heart. The blocks did not really lend themselves to that layout, but I added in this applique heart - in silver for the 25th wedding anniversary - as a special surprise. The machine quilting also included hearts in the loop-de-loops.

Sometimes the shadows just hit right.

After I sent the quilt to Lance and his wife they responded so kindly. They found even more symbolism in the layout I landed on. I had no idea, but it meant something to them and that’s what matters. I feel very lucky to have shared in this experience with Lynn. She truly was a wonderful woman. The people in our lives live on in our stories of them, this time she is also living on in a shared creation.

But before I go, I need to share one more picture. Lynn and her family were farmers. Dairy farmers, until a few years ago. In all the time I’ve known my husband we’ve taken any and all chances to visit them. He grew up going to their farm (albeit in another spot) and we’ve now taken our kids there a handful of times. It is absolutely beautiful country where they live and I like to think this one of the views that she took with her.

Kai - The Quilters' Playcation Adventure Sewalong 2024 Quilt

Kai

70” x 70”

Kai is full of adventure. They live life in a just jump in and see what happens kind of way. If someone asks them to try a new food, they don’t even ask questions, they just open wide. If someone wants to climb a mountain Kai packs the snacks. When the airlines offer a deal and there is money in the bank, Kai hops on a plane. They want to see all the things, meet all the people, try everything. And the one thing that brings them the most joy? Rainbows. Rainbows are experienced the world over and never fail to make you smile.

The 2024 Iteration of the Quilters’ Playcation Adventure Sewalong is now a finished quilt. Well, one of the versions I made. (The other one remains an unquilted quilt top.) For 49 weeks in 2024 I hosted a live session on Instagram where we made an improv block. My theme for the year was Rainbows so each block contained the 6 colours of a rainbow (or any gradient chosen), and half the blocks included an additional background fabric.

Want to catch the replays and make your own? All the tutorials are saved on You Tube.

Unlike previous years, I decided on a size for the blocks at the beginning of the year and planned out this 7 x 7 layout. That way I was alternating the background/no background blocks for a somewhat checkerboard effect. It came out well.

The rainbow on this quilt was made from a selection of pastel colours of Moda Grunge. This textured, not quite solid colour at all made for a lovely rainbow. I liked that it read as rainbow without being overly cliche.

When I started the quilt I bought a meter or so (I can’t remember exactly) of each colour. At the end of the day, I had a lot of the fabric left so I used the remainders to piece the quilt back in a rainbow stripe. Look at me being all coordinated! And while the quilting on the front amounts to great texture, the pattern itself is very visible on the back. I combined spirals and lines in a free motion pattern that I did on a rented long arm. Full credit to Angela Walters and one of her books for the idea. It is pretty densely quilted and feels a bit stiff now but as soon as I wash it the cuddles will come out.

The background fabric I chose is this terrazzo inspired fabric with a creamy base. It had all the rainbow colours in it so it was perfect. Midway through the year I did have to go buy more, thankfully my local quilt shop still had it in stock! Of course, I bought more than I needed that time so it was ready for me to round out the rainbow stripe backing AND use it for the binding. We know how I love a contrast binding, but this quilt asked for something more subtle. Sometimes it is good not to introduce something new when the original is already working.

There is no doubt that I chose rainbows deliberately for the theme. They really do make me happy and never fail to stop me in my tracks. But this is - for me - also a political quilt. I have queer family members, my kids have queer and trans friends, and I want the entire community to know that you are welcome here, and everywhere. It’s just a quilt, I know, but I can use it to share my support, amplify your voice, and wrap everyone in the love and joy they deserve. I can’t give every single queer and trans youth a hug, but know that that is what this quilt intends.

Jewel - And Why I Would Make a Bad Influencer

Jewel

53” x 75” (ish)

She lives her life a little haphazadly. She will come into a room and leave a flurry of herself behind. You are happy she was there, but a tiny bit frustrated by the mess she perpetually leaves behind (literally and figuratively). She sure is a joy! Funny and chatty and she gives the best hugs.

Long before there were influencers, many of us were just called bloggers. In fact, I can remember going to Quilt Market in the early 2010s and feeling the disdain from companies when you told them you were a Blogger. We had a reputation, for sure, that fed the negative stereotype of what we call an Influencer now. But I learned back then that I would suck at the job and this quilt proves it.

Shortly after my first book, Sunday Morning Quilts, came out, I learned that Jennifer Sampou was married to the CEO of CT Publishing, my publisher. After discovering this at Quilt Market I did not hesitate to fan girl with her because she was the first fabric designer that I remember noting. Before her fabric in the late 90s, early 2000s, I only noticed the fabric, not the designer. So there I am gushing about this little daisy print I used on my very first quilt (and many more subsequently) and she tells me she is relaunching as a fabric designer and would love to send me some fabric to play with. And she did!

This was back in 2013. 2013.

I did play with it a little and then put it all in the closet and forgot about it. I found it in the studio move and pulled it out 6 months ago again. So twelve years later I actually used it and finished a quilt with it. Twelve years. This is why I stopped calling myself a Blogger all those years ago and why I can’t accurately call myself an Influencer now.

My initial play paired some cuts from a jelly roll or two with a background fabric. I made some components and did not make more for over a decade. When I rediscovered all of it I found all the fabric too. It wasn’t hard at all to finish off the top. Just a few hours of sewing, really. Then I used a bunch of the fabric to piece a wild backing.

(Funnily enough, I clearly liked some of the fabrics because I have bigger pieces in my stash and know I’ve used some of these same prints multiple times, yet I never touched all of this fabric!)

An invitation came to donate another quilt to a tapahtêyimôkamik elder. After meeting her I knew this particular set would be a perfect fit for her. It also made the choice of the rainbow variegated thread for quilting so much better. I quilted her on a rented long arm.

The binding was made from some leftover pieces of the jellyroll. They are already 2.5” wide afterall! And then I didn’t need to pick anything specific for the frame of the quilt.

I still have a lot of the fat quarters from 2013 left. I don’t know if this will influence you or not to buy Jennifer’s fabric, but I know many of those prints are still available in some stores, not to mention her gorgeous ombres. but it’s safe to say it’s been this long since I got or shared any free fabric!