"handwork"

Zoe - Park Applique Quilt

Zoe

90” x 90”

Preferring the background to the spotlight, yet refusing to be outshone, Zoe is a strong woman. She will always work hard, with or with out credit, but never dismiss her. She was there at the beginning of the fight and is still there, supporting those with more energy for the battles. Quick to hug you, a twinkle in her eye, and just the right touch when you didn’t even know you needed it. She is the mom who knows you better than you know yourself, even though she never had kids of her own. Not really an option for her, truth be told. Now, though, she is mom to all her girls.

A long time ago Carolyn Friedlander convinced me to try applique. She promised me that I would like it with the right tools, patterns, and techniques. She was not wrong. I know the basics, even took a class or two as a beginner quilter, but it never stuck. What I didn’t like about it was that it was so much prep before I could even get to sewing. At least, the way that I was taught required a lot of prep. But Carolyn’s way is straight from cutting to basting (which is sewing) to stitching. Plus, her patterns are modern and gorgeous. I started with her Alturus pattern and learned a lot.

Over 10 years ago I started using her Park pattern to teach applique here in town. Park is a great pattern for beginners because it has inside and outside corners, curves and straight lines, and looks cool. To make my initial samples and the blocks I used in classes I chose from a stack of fabric I’d sent to Lisa Flower, which she painted. Quite quickly, I decided to keep making blocks. Inspired by my initial pull sent to Lisa I added fabrics as I went.

Somewhere along the way, one of my husband’s cousins moved to the Province. We would visit in Edmonton and they would visit here. Quite quickly, it was clear that her girlfriend was definitely going to be her wife one day. I don’t remember exactly when, but I decided that these Park blocks would be a wedding quilt for them when they did get married.

The top was finished in 2017, more or less. It took me another year or two to trim the fabric from behind the applique so there was no shadowing. It’s always a nervewracking process. Then the quilt sat and sat. I came across the Suzy Quilts wide back at a local sale and matched it to the quilt. All of this before the wedding happened. That came in 2020, a small pandemic wedding.

Yes, I did just finish the quilt.

crumpled modern applique quilt

The fabrics include so many favourites and such a yummy colour combination. I enjoyed pairing fabrics and then figuring out a layout that works. It’s bold, with the odd quiet moment. Some blocks are very high contrast and some are a bit confusing. In pairs, though, the combinations are always interesting.

It’s always a little tough to quilt an applique quilt. Or, at least, to decide how to quilt an applique quilt. Or is that just me? Rather than outline the shapes I went for straight lines in a grid, each line 2” apart. It’s easy and will be more than good for holding everything together and still be cuddly.

I went with a great contrasting binding. The ladies’ house has a lot of green accents so I decided to add that colour to the quilt. Thankfully, it works well with the existing fabrics.

In all honesty, I don’t know why I procrastinated so much with this quilt. It took less time to make the 25 applique blocks than it did to turn the top into a finished quilt! (Aside from the two months I lost quilting when my machine broke and went in for service.) Oh well, it is done now and I am already getting photos of the family (yes, they have a kid now too) snuggled. That’s all that really matters.

And now, I’m already making more blocks! When moving the studio I discovered a couple more blocks. Leftover class samples? Regardless, I realized that with these blocks and a few more additions I could make a small version of the quilt. The little guy of the family only wanted a baby doll for Christmas so I am making him a quilt just like his Mamas’ for his baby.

Unquilting

Sigh… Big sigh.

Last week I was all excited because I gave myself a day to quilt. It’s been a stressful few months and I needed a day to myself. I also needed a quilt finish or two in order to clear my brain. So I booked a day on the long arm, got a few quilts all prepped, and went in to My Sewing Room to hang out with Emily, who runs the long arm department there. She helped me load my first quilt and thread the machine - the two tasks I always forget how to do. Otherwise I feel pretty comfortable on the long arm. I started up and went along merrily.

Yes, I checked my tension - once - at the very beginning. Admittedly, it was hard to see as it was yellow thread on a yellow part of the backing, but it looked okay. And so I rambled on. Nothing fancy with my quilting, just loops and stars all over. I was listening to some upbeat dance music and in my groove. Emily was doing her thing and left me as I felt more than confident.

Overconfident.

About halfway through I noticed that the tension was off on the stitching. I saw the blue fabric of the background as it wound around the bars and I could see my tension was off. I made some adjustments on the computer of the long arm and continued. Folks, it did not get better. Finally, I conceded to my mistake and called Emily over. I should have stopped there but I decided to proceed, after she made more adjustments. Bad move. Long story medium, we never fixed the problem. I pulled the finished quilt off the frame and set it aside. Maybe it will get fixed with a wash? I foolishly thought to myself.

Emily tinkered with the machine - the bobbin casing was a bit off - and we loaded the second quilt. This time I pulled out an extra bit of fabric and tested the tension before I touched needle to my quilt. Much better! I proceeded to quilt the second quilt without any problem and in the course of those few hours accepted what I needed to do on the first quilt. While waiting for me to finish Emily graciously started the job of ripping stitches for me.

Pile of discarded yellow sewing thread on the back of Uppercase magazine

It’s been a long time since I made a mistake like this. I don’t blame Emily, even though I was renting and she was technically supervising me. I know enough, and made that clear when starting that I should have caught this myself. It would be easy to get really frustrated and beat myself up. Or I could get angry and blame Emily too. Neither action is going to help. The only thing to do is let out that big sigh, find your favourite seam ripper, and sit down to rip. It’s just a mistake on a quilt, it isn’t life threatening or even life changing.

Ripping stitches when the tension is loose on one side is actually quite easy, just very time consuming. This quilt measures over 60” square and I have a tendency to quilt things to death, so there was a lot of ripping to do. Thankfully, my son and I have been rewatching Ted Lasso so I sat with him and ripped, and ripped. He would fiddle with the pile of thread that grew with each episode. Therapeutic for both of us in many ways. It took me the entire third season and almost all of the Netflix series One Day to finish ripping. I only put one hole in the backing so that will be an easy fix.

It was all just a mistake, it happens. I know many of us would get ourselves quite worked up over this. Maybe call ourselves a few names? Cast blame and shame? Perfectionism is a nasty beast. Of course we want to improve, not feel like we are wasting time, and get things finished. That’s normal and understandable. But making ourselves feel bad over quilting? Totally uncalled for and unnecessary. Shit happens. Acknowledge it, clean it up, and move forward.

Time to rebook in to the longarm. This time I will remember to bring an extra piece of fabric for testing tension. I will also not be so cocky and use the resources there (Emily) to make sure I am doing things right.

Euroa Quilt Update

Remember this one? I barely did. In the last year and a bit I think I’ve made 3 little blocks, just 3. I need 100 for the whole quilt, so that doesn’t exactly amount to much progress. Full transparency: I started this quilt in 2016. Frankly, I just wasn’t in the mood. I had other things to play with (shiny object syndrome).

Lately, however, I’ve been wanting to sit in the quiet. Maybe some music, maybe a show, but mostly just sitting still. The season for slow stitching returns. I pulled this out of the closet, hung up what I have finished, and got excited to stitch again. Sure, I’ve always been sewing, but the desire for this English Paper Piecing was gone. After those two hand work projects of 2023 I wanted more of that slow stitch time.

Turns out I only need 26 blocks to finish this. That means I am 3/4 of the way through. That isn’t that much, really. I’ve never timed how long it takes me from start to finish on one block, but I would venture that it is a few hours. That includes picking the fabric and prepping the pieces, basting, then stitching the block together. After that there is stitching block to block to block to block (I use 4 to make a larger, mega block). Then I have to assemble rows. Finally, add rows to each other. It’s all done by hand. I would guess I have at least 120 hours of stitching in front of me. Now, if I could sit down every day for hours a day, well, it wouldn’t take that long! But this, like most of my quilt making, is a side project to life.

Actually, this kind of slow stitching is life. No, I don’t mean that I am living for it. More that it is a big part of me and what makes me whole, calm, and living creatively. So yeah, it’s time to come back to this.

Sadiya - Our Trip Diary Quilt from Egypt and Turkey

Sadiya

36”x 42”

Our trip is long over, the tastes gone from our mouth, the smells disappeared, the noise in the distance. All we have left are our memories.

Our journey to Egypt and Turkey this summer was beyond memorable. I am so glad that my last minute decision to bring sewing supplies resulted in this special piece. I’ve been sitting with all the memories as I stitched it. Opting for hand quilting/embroidery in all the blocks meant I’ve been sitting with it nearly daily for a few months. Bit sad to be done, really, because that means the trip is truly in the past.

Make sure to check out the post I made right after the trip with block and trip details.

To see details of the stitching on each finished block, I made a reel that you can see here. It was a lot of fun to pick stitches and patterns to both highlight block elements and sometimes reference the original block inspiration. I played around with thread weights, brands, and colours. Not to mention, a collection of stitch options!

While the back of the quilt is not a perfect reflection of the front, I did try hard to be as neat as possible. This meant thinking through my movements as I stitched, burying knots, and a constant aiming for consistency. Oh, and a pick a busy print to give yourself a break!

The binding was a special experiment. Inspired by ancient linen seen in the Grand Egyptian Museum I wanted a fringe element. Knowing that linen frays so nicely I embraced this instead of fighting it. Stay tuned for a tutorial on that.

In our house we have a no quilts on the wall rule. Considering that vast number of quilts here, I think it is a pretty fair rule. But even my husband agreed we could break it for this special quilt. Now to find the perfect spot to hang it so we can all smile at our shared memories. Oh wait, I guess I have to sew a sleeve on it first!

In case you missed it, here is the small quilt I made with the scraps from this one.