Maple Leaf Quilt Top from Ugly Fabric

Proof that if you start with some ugly fabric you can still make something beautiful.

Back in the spring I was hosting a Quilters’ Playcation Playdate. The focus that day was on finding an ugly fabric in your stash and seeing how we could make it work for something. When you let the fabric be your guide, as opposed to forcing the fabric to be something else, it usually works.

These were some of my initial pulls. It isn’t that each fabric is really ugly. You may love them, in fact. Ugly is in the eye of the beholder. But I’d had that leaf fabric forever, I have no idea where it came from as it isn’t something I would generally pick, and it had never been used. So that became my challenge fabric.

The fabric is so very cliche fall fabric. I leaned in to that. If it’s going to scream fall, I will let it be what it wants to be and turn it into a maple leaf block. I paired it with another bold fabric that had a lot of the same colours, save brown, and got to sewing. And what happened? It made a very cool quilt block! In fact, I loved it so much that I kept going and made more blocks to coordinate. I picked all the fabrics from my stash to coordinate in the colour scheme started with that first block.

In the end I made 25 blocks. They are 12.5” square so the quilt ends up as a small lap size. I’m not sure it will be finished for this fall, but that’s okay. I finished the top back in June anyway!

Noelle

Noelle

72” x 72”

I’m either really late finishing a Christmas quilt or really early for next year. Let’s go with the latter, shall we?

This quilt was started in the Quilters’ Playcation Cut Sew Repeat Party in December. It’s such a quick way to make a quilt top that I had it done a few days later. With a long arm appointment already booked I decided to go ahead and finish her quickly.

It was a quick make, a fast quilt, and a quick finish. I still didn’t get it done before Christmas. It’s all good, I’m just ready for next year! I used a light turquoise thread for the quilting in freehand, wavy lines. It’s almost garland like.

The fabric all comes from the Alison Glass Holiday collection. Buying a single collection bundle is not my norm, but I’d picked this up early in the pandemic as an example for a stash class I was teaching. It is an unconventional holiday fabric and I love that. Using a single collection is a fantastic way to explore the Cut Sew Repeat Technique AND show off the fabric at the same time.

When I finished quilting I took a quick look around My Sewing Room, where I was renting the long arm time, and found this coral fabric in the clearance section. What a find! I had been thinking hot pink but there are just enough hints of this coral in the multicolour prints of the collection that it worked perfectly. It was a lovely way to spend a few afternoons of winter finishing up the binding by hand.

The Cut Sew Repeat Party is returning on March 18. I’ll have a different stack of fabric, but the same great fun ready for you. Even if you attended the Party last time, we will have new treats and tips to explore as we play with our fabric. You can register here.

Improv Square in a Square Exploring Prints

You’ve probably heard me say to my students before that nothing you make in class has to be anything. You can just play for the sake of playing! Honestly, that was my intent for these blocks. Make a few to test then demo the technique and that’s it. But I’m in love, I’m in love and I don’t care who hears it!

After 5 blocks I was making eyes at them. After 10 blocks I believed that I was in like like with them. After 15 I was flirting. And by 20 I was ready to have their baby. Well, at least commit to making 80 more blocks to make a decent sized quilt.

These are the improv square in a square blocks I made during the last Quilters Playcation Playdate. Sure, I’ve already made a big quilt top with the same technique. This time I was exploring a different scale. And next time (there will probably be a next time) I will explore an even different scale.

The whole thing is a colour story I’ve not really played with before: Yellow/orange/coral with blue/turquoise. I really love the interplay of warm/cool as I make the blocks. Exploring value is also quite interesting in these blocks. I want to do that a little more as I make the last half of the blocks. It will make the final layout of the quilt top very dynamic.

My initial thought was to only use each fabric in one set of blocks but even my stash is not that deep. We’ll see how that plays out.

There is no rush with this quilt. I make a set of blocks in about an hour, puttering around my sewing room in the evenings. Eventually I will have 100 blocks. No matter what, it will be time well played.

Rediscovery Brings Joy: An Old Quilt Block Becomes a New Quilt

Periodically I will clean out the stash, the started projects, even the scraps. Like Marie Kondo, sometimes you have to let go of the things that are no longer bringing you joy. But then you have to actually move them out of the house, not just the laundry room. The laundry room where they sit, untouched, only to fall off the shelf when the Covid chaos spills into the space. Then, when you bend down to clean up the mess you realize that this block looks quite cool and very cheery and it might be exactly what you need to work on RIGHT NOW. So you pick through the scraps bins and hunt through the stash, you play around with sketches and do some math, you hunt down the right kind of freezer paper, and then boom! A new full size quilt starts taking shape.

Generally when I make a quilt I get an idea and start sewing. I make a pile of blocks or components, play around with options, then decide what else I might need to make or start layout at the design wall. This project is a bit different. To match the seeming randomness and play with contrast of the original block I felt the need to lay it out, to design it in advance. It doesn’t mean it won’t change, but I felt I needed the guide. The circles aren’t on each half square triangle so sketching it out to get the right balance in layout gave me the math for cutting and piecing.

This cutting everything at once is a very different way to work than my norm. I can see why people do it though, because then you get to just sew, sew, sew! In my improv work I often tell students to front load as much of the decision making as possible so they can embrace the process of sewing, this is the same idea.

So here I am: everything got cut, all my half square triangles are sewn, and I am about half way though the circle prep and appliqué. My sewing opportunities come in fits and starts over the week, usually in the evenings when everyone has retreated to their corners of the house. I have a few projects I am actively working on at the moment, this is one of them. The colour combination is full of energy and that springtime glow. The sewing is not hard but it has great impact. This project is giving me such joy.

A student recently described her own Quilts Under Construction as Somedays and I just loved that sentiment. I’m glad that this particular Someday returned to me, just when I needed her.