February Morning Make 2022

No, you have not gone back in time. It’s February and I made crumb blocks for Morning Make. Again. That’s because the scraps never disappear and there was a whole year of quilting between now and then. Besides, you can never go wrong with crumb blocks.

The technique is the same, the collection of fabric is 95% my own scraps, but there is one difference between this year’s blocks and last year’s: the size of the crumb. When I went to sort the scraps into size - always the first step in these crumb blocks - I realized that my scraps were just that little bit bigger. What counted as a small in this collection was a large in last year’s. I debated cutting things down for a brief moment, so that the blocks were similar. Then I, wisely, decided that that would be ridiculous. Extra work and it would then barely make a dent in the scraps.

Design wise, I was sure I could make a combination of the blocks work. You can see above a hint of what might happen when they come together, as the first few blocks made with smaller crumbs are in the center. With small bits in all the blocks regardless you can make transitions come together.

Of course there is still fabric left. Of course.

One of these days I will get last year’s blocks up on the design wall with this year’s. Then I will use the scraps I have left to fill in any gaps. After that? Well, I make no promises on the scraps’ fate.

January Morning Make 2022

We’re coming up on 2 years at home. Everyone is tired, frustrated, and annoyed. Some lash out, some quietly move on. Most of us are just living our lives as best we can. I fall into the latter category and chose to use my Morning Make this past month as a moment of reflection.

Quilting as a professional author, speaker, and teacher has taken me to some pretty amazing places over the past decade. I’ve travelled all over Canada, hit a handful of US cities, and even went across the ocean to Australia. I really do hope to add travelling for quilting back on my schedule again down the line. This reflective process does have me truly appreciating even more that quilting has given me. That’s because it’s given me all the people in the places, the creativity and laughter in the room, the morning walks before the work begins, and the ability to share my love of play and fabric with so many.

The project actually began years ago. One day my oldest and I were talking about the places I’ve been and we decided to make a list. It was like the twenties version of former lovers, but this place name list is MUCH bigger. I kept adding to it too. Every now and then I would make one of the places on the list. Then, when I started teaching online during the pandemic I would pick one of these places when I was demonstrating techniques for my Make Words Not War class. Every time it was a moment of reflection and appreciation. Needing to extend those thoughts and feelings I decided to make these place names the focus for January Morning Make.

I won’t lie, I’d hoped to finish all of them. I can only get up so early and these days that isn’t very early at all. But I did get through 18 of the place names on the list. Only 11 more to go.

Frankly, I have no idea how or when this will come together. I do know it will be a massive quilt! Maybe I will make it double sided? All I do know is that it’s been fantastic to take daily trips back to these places. I’m recalling people or the weather or even specific projects from events. I’m in awe of the depth of this travel. For quilting? Yes, for quilting!

Mame - The Exclamation Point Quilt

Mame

77” x 72”

Like her namesake, Mame is known for speaking her mind and living wildly. She brings her best energy to everything, even when things are awful. She speaks what she wants, even if the consequences are great. People love her, even when it is hard. People love her, but don’t always want to admit it. At home with Princes and Sailors, Mame is fierce with love and other emotions Loving Mama doesn’t always mean less pain in your life, but definitely a lot more fun.

Confusion, solidarity, mourning, exhaustion, confinement, noise, and togetherness.

When the Covid Pandemic first started we all ran through the gamut of emotions. With or without children, whether you could work from home or not, whether you stayed employed or housed, whether you lost loved ones to illness or friendships to principles, no one is getting through the pandemic unscathed. Then there are all the emotions attached to it. At the beginning I admit to relishing the home time with my family; mostly, the break from rushing from one thing to the next. Soon, it wasn’t easy at all and I became annoyed with grocery shopping, a lack of entertainment, and home schooling. I slept more and still felt tired. More than once I held my head in my hands and cried.

Anger, frustration, laughter, annoyance, stress, despondency, grief, and fear.

I screamed a lot too. Mostly into the ether, but not always. The entire household all had our moments. To channel it all I started making blocks. I wanted to say all the words of anger, call our politicians and Covidiots all the names, give space for my kids to do the same. They say that swearing reduces the impact of pain, but I wonder what they would say about sewing swears? Because I didn’t want to sew all the words into blocks I sewed what would come at the end of each word - the Exclamation Point!

(And yes, I screamed for real when I took the above picture.)

Then I gave myself the freedom to quilt all those words right into the quilt. Using cursive to quilt such strong words felt amazing! It was really, really therapeutic. The overall quilting pattern reflects the first three waves of the pandemic as felt here in Alberta. In between those lines I added the best words, insults, and expressions to make a sailor blush. By the time I finished quilting it we were cresting the 4th wave so the final stitches have some very, very powerful things to say.

While I was making the quilt a lot of people suggested I make some red exclamation points. A strong colour for strong emotions. I wanted to stick to the story I was telling - ink on paper - but knew red would make an appearance one way or another. So I added a big exclamation point on the back, set in an alphabet print of my own. Oh yeah, and a bonus exclamation point in fabric sent to me by Brenda Suderman, a writer who published a story about this project.

Red also found its home in the binding. You know I love a contrast binding! This came from fabric I dyed with kids. You know how it was, sourdough and tie dye as pandemic activities.

There isn’t a quilter out there who doesn’t know the therapeutic power of quilting. Sometimes it is just about spending the time playing or slowing down or even going through the motions to calm our nerves. And sometimes it is about processing our emotions through what we are making, quite literally. This expressive form of quilting is powerful. For me, this very personal project certainly helped me get through these past 20 months. It gave me a focus for my feelings, an outlet for the pent up energy, and. calming for being able to create something cool out of such stress.

Remember, if you want to make your own Exclamation Point blocks there is a free tutorial available.

Gremlins

80” x 80”

Named because scraps, like gremlins, multiple at night.

If I’d started this project thinking I was going to make 400 4 1/2” log cabin blocks I never would have started. Thankfully, I started with a bit of play; just seeing if I could use a pile of skinny scraps in an easy and useful way. One block, then another, and another. Indeed, the pile came from the trimmings from yet another scrap quilt. The scraps truly never end!

As I was binding the quilt I kept examining the blocks, looking for memories. You know what I mean - oh, this fabric is from that quilt, and this from that one! The truth is, though, so many of the fabrics I use find their way into multiple quilts. That is that whole scrappy look I seem to be known for. Needless to say, I couldn’t find a single block where I could identify each previous use of all the fabrics. Even the binding was leftover from a previous project. (Only it that case it was the background material, not the binding.)

My plan was to get my friend Phil to baste the quilt for me. I wasn’t keen on wrangling the pins through all those little pieces. I changed my mind on her front steps though. She does lovely panto work and I really just wanted this quilt done. A dense panto called Time Warp done in pink thread provided amazing texture and stability to all these pieces without overwhelming the value work of the block placement.

Months ago I grabbed yardage of this amazing Allison Glass print for the back. I didn’t have quite enough to match the print when piecing the back but it is so busy that only I (and now you) will know. Such a perfect compliment to the scrap goodness of the front.

To end, I want to share a little unknown fact about scrap quilts: they are heavy. Because you are using smaller bits of fabric than most of us sew with and you are using a lot of it to make a functional quilt, the extra weight of the fabric in the seam allowances adds up. That added weight to the quilt is glorious. You don’t need a weighted blanket if you have a great scrap quilt!