Pretty Things Too

Yes, Market is all about work, but there are pretty things too. You didn't think I'd not post some of my favourites, did you?

The Rise of Organics

Daisy Janie, Cloud 9, Birch, and some of the major manufacturers, including a line by Betz White with Robert Kaufman are all producing organics. The lines are varied, the colours have a great range and with the solids from Kaufman and the stripes and dots from Birch it is pretty much impossible not to build a solid stash now of just organics. And after seeing the video from Jan during her schoolhouse it makes me want to seek these out even more.

Favourite Fabrics

In two totally different corners I've got my four favourite lines that I saw there. Marcia Derse and Malka Dubrowsky have these intense, rich commercial prints based off of their own hand-dye and batiks. On their own or playing together these are exciting. Very exciting.

In the other corner is Echo by Lotta Jansdotter and Summersville by Lucie Summers. Graphic but soft, quietly bold. I'm in love with both of them (designers and fabric). And Lucie is very lucky I didn't steal one of her mugs. Thankfully I made it out of Market with a bundle of Echo to keep me going.

Somewhere in the middle is Ty Pennington's new line. To be honest, it seems like his fabric doesn't get a lot of attention. He does. But I do like his fabric. I've used a few prints from the first line and I can definitely see myself using some from this one too. And when I stopped in his booth he seemed quite thrilled that I wanted to talk about the fabric and not snap a picture with him. He's quite enthusiastic.

Speaking of Men

It would have been obvious to take photos of the men at Market, but let me tell you, they are there. A lot of the booths are staffed by men and there are definitely a lot of buyers on the floor. This was my first big surprise of Market, the men. Then there are the designers and sherpas that are there. Ty, David Butler, Mark Cesarik (all were conveniently located within steps of each other) showcased very different but equally engaging lines.

And Patterns

There are patterns all over the place at Market. With the quilt stores seeking out the interesting, the pretty, and the sellable, the pattern booths are packed and filled with pretty things. All to different tastes. I neglected to take a picture of her work or booth, but my absolute favourite was Carolyn Friedlander. A former architect turned designer. Her patterns are intense, graphic, and so beautiful. It's almost enough to make this improv girl seek them out. You definitely should.

Finally

Houston itself, while monstrous, is a pretty city. I may have been blinded by weather that made me feel like summer when it was snowing back home. Or it might have been the colour, lights, and personalities of Market. But Houston's downtown was dynamic and captivating. I got a walk or two in. I can see why Cherri House loves her town so much.

Kinda Herringbone

Kinda Herringbone

60'' by 80''

This is my latest finish, my Shades of Grey quilt. And guess what? I'm offering it as a pattern for sale! You can get it at my new Etsy shop.

If you've been reading here for any length of time you know that I will always encourage other quilters to do their own thing. To take an idea, inspiration, or even a pattern and make it their own. This pattern is written that way. It provides the technique and the basics to make a quilt like this, but I also provide tips on making your own size, your own colour, and even with variations in design. Of course, that's not to say you won't make it a way I haven't even thought of! Or that you don't love it as is and want to make it exactly like this quilt.

This quilt and pattern wouldn't exist with the support, inspiration, and work of Jan DeCinto, the force behind Daisy Janie. The design itself was inspired by one of the fabrics in her Shades of Grey line and she helped me tremendously in getting the pattern itself together. To pick up her fabric check out her list of retailers.

A few more details on this particular quilt:

- The top is entirely made from Shades of Grey organic fabrics.

- I used a bamboo batting to try something different.

- The back is made up of wide strips of Kaffe Fassett shot cottons. I chose those intentionally to have a lighter material on the back. With a foundation fabric in the top I wanted to lighten up the quilt overall.

- It is quilted with an organic thread.

- Pieced binding with Kona organic solids.

Thank-you, readers, for continuing to inspire and push me to be a little bit more than I was yesterday.

Crazy Busy

This is a post of random notes.

Thank-you so much for the support for Quilts Recover. I'm seeing posts go up around the blogosphere by friends. Emails are coming in already. If there wasn't this rotating postal strike some quilts might even be on their way already!

There've been a number of suggestions for Quilts Recover. Different chapters, financial donations, and offers of quilting tops sent from far away. I promise you that I'm sorting through all the ideas and figuring out ways to maximize quilts and quilters' generosity. You folks are just awesome.

There wasn't a lot of quilting done in the last week. I was up to my eyeballs in writing deadlines. In one day I interviewed Jennifer Paganelli (Oh, she is so awesome!) and a handful of goat farmers (also awesome). In between butt wiping and baking muffins for preschool. Now that's the life!

Lastly, I'm getting the binding on the Shades of Grey quilt. That's today's task, along with prepping for The Monster's 5th birthday party tomorrow.

Then, on Thursday, I'm having knee surgery. Finally. Just one of my knees, but they will check out the other while I'm down for the count. Needless to say, there won't be a lot of quilty action, aside from handstitching that binding, for the next week or so.

On that note, time to get prepping!

Thread Choices

It's down to the quilting on that Shades of Grey Herringbone piece. The first decision is always which thread to use.

I actually starting threading my machine with the normal grey thread I use for piecing. It seemed kind of obvious to use it. It would blend in and carry on the grey theme.

Then I thought about my binding. I'm thinking of going with a turquoise, so I wanted to see if turquoise thread would work. It surely pops! The colour would be great and it would work great with the binding and the back. But I've also got turquoise on the back (shot cottons) and I didn't want to have just one section on the back where the quilting blended in.

Going back and forth between the grey and the turquoise I was torn. The turquoise looks really good on the front, but the grey seemed more in line with the Shades of Grey fabric. Then I remembered that I have a cone of nearly white organic thread. When I put it next to the others I realized that it was the perfect choice. It pops on the back, it reads practically the same as the grey on the front, and it is an organic choice.

This quilt isn't all organic - the muslin foundation isn't organic, the back is a mix of conventional shot cottons, and I tried out a bamboo batting. But I am definitely influenced by Jan's commitment to organics and wanted to push it as much as I could. The organic thread will be a great finish.